Stefanie Renoma is an unconventional and atypical artist, playing on the male body, having fun modeling it to give it a troubled ambiguity, a double identity, which is reinforced by the staging and the ornament. The style is affirmed, the opposition between man and woman annihilated, the paradox, exacerbated. Its typical model: the androgyne, the double, the woman man, the man woman. Because at Renoma, that's what it's all about: androgyny reigns, sexuality becomes obscure. But despite an apparent nudity, an erotic tension, a significant and propagating desire, the body is desexed, asexual, the being is naked by evidence and by authenticity, as if returned to the state of nature. Combining rock'n'roll and disarticulated chic, like her brand, Stefanie plays with clichés. The references to fashion and to his own styling are numerous. The staging is luxurious, opulent, tinged with glamour. Femininity is assumed and claimed, where all masculinity becomes altered or definitively prohibited. And it becomes fascinating, like a third sex, a Renoma sex. Stefanie grew up in the artistic aura of her father, Maurice Renoma, famous photographer and stylist, founder of the eponymous brand, of which all the creative geniuses Dali, Andy Warhol, Serge Gainsbourg, Brigitte Bardot, will be faithful even ambassadors. An environment that will gradually develop her critical sense of traditionalism and will naturally guide her towards an offbeat style.